He numbers his files by two rules at once, which his free samples
show and which follow from what the file is for. A note carries the
MIDI number it sounds, so that the file plays on a MIDI instrument
without translation. An expression position, having no pitch to
carry, is numbered by its place on the bar plus a fixed offset: on a
red e-roll the sustain commands sit at 107 and 108 for positions 93
and 94, and the soft pedal at 21 and 22 for positions 7 and 8, so the
offset is fourteen.
The two rules collide on one number, the lowest note of the T-100
sharing 24 with the tenth position. Notes win there, the note block
being the larger claim; none of his samples uses the number at all.
He numbers his files by two rules at once, which his free samples show and which follow from what the file is for. A note carries the MIDI number it sounds, so that the file plays on a MIDI instrument without translation. An expression position, having no pitch to carry, is numbered by its place on the bar plus a fixed offset: on a red e-roll the sustain commands sit at 107 and 108 for positions 93 and 94, and the soft pedal at 21 and 22 for positions 7 and 8, so the offset is fourteen.
The two rules collide on one number, the lowest note of the T-100 sharing 24 with the tenth position. Notes win there, the note block being the larger claim; none of his samples uses the number at all.